After the success of 2008's The Slap, Christos Tsiolkas could be excused for feeling he had nothing more to prove. Perhaps though it was that completely unexpected good fortune that planted one of the seeds for Barracuda, surely his most personal and heartfelt book to date, and I think his most accomplished. ...
Our world has been Tsiolkasised. On the strength of Barracuda, there is not a more important writer working in Australia today.
Read the full review by Martin Shaw at Books+Publishing
Christos Tsiolkas’ latest book is his best yet.
Read the full review at Arts Hub
... more proof that Tsiolkas is a master chronicler of the zeitgeist.
Read the full review by Mary Kostakidis in The Guardian
This is Tsiolkas's fifth novel, and I think his best so far. It's as if every time he writes a book he strips away another layer from not only our national self, but from the reader personally. I look forward to them like the birth of a child, and this one – after five years – is perfectly formed.
Read the full review by Annette Hughes at the Newtown Review of Books
If, as I suspect, Tsiolkas is still striving towards his own imaginary Olympics, struggling with his own ambition and the sources of that ambition, then Barracuda shows not just brilliant form but philosophical reach.
Read the full review by Jennifer Mills at Overland
I read it a couple of weeks ago and I can't stop thinking about it. I can't stop talking about it either but I am struggling to choose my adjectives, because all the ones I want to use sound like impossibly overblown hyperbole. Also, the kinds of words I am tempted to use are "visceral", "heartbreaking", and "searing" which make it sound like a difficult and dreary read when in fact it is so vibrant and tender and beautiful that I couldn't get enough of it. Never have I been more glad that a book was over 500 pages long.
Read the full review at The Girl Booker
Tsiolkas is better than anyone else writing in Australia today at thinking about the affective pull and the sharp edges of communities: ethnicity, family, friendship, class, nation.
Read the full review by Julieanne Lamond at the Sydney Review of Books
'Tsiolkas writes with compelling clarity about the primal stuff that drives us all: the love and hate and fear of failure. He is also brilliant on the nuances of relationships. Some of the scenes in this novel about the hurt human beings inflict on each other are so painful that they chill the blood. At times, the prose is near to poetry... There are shades of Faulkner in this brilliant, beautiful book. If it doesn't make you cry, you can't be fully alive.'—Sunday Times
'By page 70 I realised that I was reading something epic and supremely accomplished. Thereafter, I found myself more and more admiring of the subtle, profoundly human way that Tsiolkas was handling his subject. And I finished Barracuda on a high: moved, elated, immersed...This is the work of a superb writer who has completely mastered his craft but lost nothing of his fiery spirit in so doing. It is a big achievement.'—Guardian
'This involving and substantial tale - surprisingly tender for all its sweary shock-value - is carried swiftly along by Tsiolkas's athletic, often lyrical prose.'—Daily Mail
'Masterful, addictive, clear-eyed storytelling about the real business of life: winning and losing.'—Viv Groskop, Red Online
'The Slap, Christos Tsiolkas's bestselling previous novel declared "Welcome to Australia in the early 21st century." The same semi-ironic sentiment echoes throughout Barracuda, which is, if anything, an even greater novel... It may tell an old, old story, but it has rarely been told in a better way.'—Telegraph
FESTIVAL OF DANGEROUS IDEAS
'BARRACUDA' BY THE BAD PLUS
Listen to the song 'Barracuda' by jazz trio The Bad Plus - chosen by Christos's colleagues at Triple R to celebrate the launch of the book!
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